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The spectacle is a central notion in the Situationist theory, developed by Guy Debord in his 1967 book The Society of the Spectacle.

The Society of the Spectacle (French: La société du spectacle) is a 1967 work of philosophy and Marxist critical theory by Guy Debord where he develops and presents the concept of the Spectacle. The book is considered a seminal text for the Situationist movement.

The spectacle is not a collection of images; it is a social relation between people that is mediated by images. 5 The spectacle cannot be understood as a mere visual excess produced by mass-media technologies. It is a worldview that has actually been materialized, that has become an objective reality. 2

Aug 10, 2016 · Guy Debord’s (1931–1994) best-known work, La société du spectacle (The Society of the Spectacle) (1967), is a polemical and prescient indictment of our image-saturated consumer culture. The...

The Society of the Spectacle (fr|La société du spectacle) is a 1967 work of philosophy and Marxist critical theory by Guy Debord where he develops and presents the concept of the Spectacle. The book is considered a seminal text for the Situationist movement.

The idea "Society of the Spectacle" aimed to shatter materialistic illusions using art such as confrontational performances and even psycho-geographical walks.

Jul 12, 2023 · Guy Debord discusses the notion of the spectacle in his work The Society of the Spectacle (1967). This work became a seminal text for the group Situationist International (1957–72) one of the most radical organizations in the twentieth century.

In all its specific forms, as information or propaganda, as advertisement or direct entertainment consumption, the spectacle is the present model of socially dominant life. It is the omnipresent affirmation of the choice already made in production and its corollary consumption.

French Situationist Guy Debord's seminal analysis of consumer capitalism in the late 20th century. La Société du Spectacle was first published in 1967 by Editions Buchet-Chastel (Paris); it was reprinted in 1971 by Champ Libre (Paris). The first English …

Apr 2, 2023 · Guy Debord investigates the “society of the spectacle”: a time where images, billboards, advertising, and consumerism are encouraged and omnipresent. Is there a way to avoid the capitalist spotlight?